“Voroboros: The Hematophage” is printed on 100lb Gloss Text paper in glorious full color. Measuring 11″ x 17″ (30cm x 43cm) and traveling to you via USPS 1st class mail, this poster is a limited edition of 100, signed and numbered and possibly scribbled upon as the mood takes me. It’s the risk you run when you give me a marker.

This delightful collectible can be yours for the suspiciously low price of $20.00 USD /$25 USD international shipping right to your door included, payable by PayPal. If you want it SUPER MEGA FAST and are willing to throw down extra for quickship, email me and we can work something out.

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I used to use all kinds of things in place of blood. I had countless mixes and little bottles left over from botched, aborted, or occasionally successful previous shoots. Store bought. Homemade. Improvised. The first time I used my own blood for a photoshoot was my command performance shot with Gabriel back in 2004, photos Manson requested months before we met or spoke personally. I remember gashing myself up with a safety pin, dozens of whitehot stinging kitten scratches, until my chest felt the way it was supposed to, my skin burning and stinging. I sipped my La Fee and snorted line after line of powdered caffeine tablets until the pain and the herb and the pace picked up and lifted me off the ground, set me on my feet on the path, my feet grown big enough for the footsteps already laid for me. That shoot was perfect for the time. Baby steps, laughable now, but exactly right for when it was. When I was. The next time I cut myself for a shoot it was (s)AINT, more a suggestion than a request. I’d wanted to do the whole video rather than just stills and while only pieces were ever filmed, it went much the same way. Cut, cut, cut. Three for my chest, and many more than three when it came time for the cocaine. Realism was the key, always realism. The faker doesn’t fake, this shoot was important. After that it was the MMIX shoot. Crimson robed, newly single and damaged in every sense of the word, I razored open every scar he’d given me that I could find, and made a few new ones on top of those. My chest and my eyes leaked as one and I photographed this newest rite for my newest passage.

Peter Murphy was telling me about the passion of lovers. I knew all about passion as I unwrapped the syringe. It felt good in my hand and looked great with the glove and I had a sense of readiness and rightness. And nervousness. I’d taken blood this way before with mixed results, when I needed or wanted more than I could get from just a cut. Once I went too far in and the crook of my arm panged with a cold dullness that took days to stop. This needle was brand new, glinting metal gorgeousness, so sharp it caught the skin as I touched the tip to my elbow slightly below the tiny crater of a scar left over from months of faithful (read: desperate) plasma donations. (Ask me again the things I’ve done for concert ticket money, there are so many ways to sell yourself.) Peter wailed his heartbroken cry and the needle was in, a burning cold itchy feeling. It was tricky to hold it still and pull the plunger back but I have long fingers and managed it. At first, nothing. I shifted my leg to release the belt. The leather went slack, my hand went warm with the rush of blood and the body of the syringe immediately bubbled up with that beautiful purple red I love so much. I drew it full and decided against going for the second syringe that I’d considered filling after the first, mostly because I wouldn’t be able to twist off the full one, move it somewhere safe, and twist on the empty one with only one hand and without pulling the needle out or making a giant mess. One would have to do. I slid the needle out and watched with satisfaction as the blood beaded up at the crease of my elbow, the near-black giving way to cherry red as I spread it over my skin in a thick line halfway down my forearm. Beautiful.

The syringe’s warmth always startles me when I hold it. So alien, to see my insides on the outside, still warm from me. Almost sexual. I fit the needle into one end of the tube, pressed the plunger a bit and watched in rapt fascination as the blood flowed in red spirals along the tubing. I put the other end in my mouth, sucked hard. The moisture of my breath fogged the plastic, made the blood thin slightly, spreading further. I plunged more and sucked until I tasted copper, then fit the needle to the other end of the tubing, taping it to my arm where it was supposed to be placed. I didn’t think I could shoot with the needle actually in my arm as I needed to be able to move to operate the camera and the bleeding would get to be very messy, tube or no tube. There’s a limit to how much I can drink, too. so I left it out, worked around it. The tubing felt warmer with my blood in it, curled around my throat like a tiny snake or an expensive piece of jewelry, studded with rubies. It felt holy. It felt right. Later I untaped the needle, held it to my throat, imagined the red circle of blood through the needle to the tube, up and around into my mouth, swallowing it back into my throat again. I pressed it too close, felt it catch, a pinprick dot of red. The girl from Concrete Blonde sang of vampires and gardens. The camera clicked, beeped, stopped on DSCF0360. Card full. Game over.